As stated in earlier edits of this update, the structure of Perenepsis #3 is already completed, only working out details at this point. Also in piano-land, I'm still about halfway done with another fugue, a three-voice one in D minor.
Chamber works: I have a piece for clarinet and string trio that I suspect will go quickly once I get past its current roadblock (roadblock has been removed, but work on other pieces has stalled this one); it's in 5/4, but ambiguously so, and contains some Gregorian Chant in an inner voice (as does newly posted Shepherd's Call). I've also made progress on two more movements of my String Quartet #3, one movement of which is already posted as my Little Fugue; both of these are uptempo movements, one in 5/8, and the other played entirely in pizzicato.They're fun little tunes. When you listen to Haydn as much as I do, some of it is bound to rub off, and this has led to a piece in the style of my musical hero; I work on this one occasionally, generally not right after listening to any Haydn, as I don't want to actually copy him (and I've been listening to a lot of Haydn lately, especially his quartets, so have left this alone for now).
Orchestral: I've got
This isn't everything -- there's the companion piece for my Untitled Prelude, a not-quite-a-fugue piano piece in C, several old odds and ends for piano, a salsa instrumental, a Celtic tune, a difficult categorize thing for a motley ensemble called Prof. Murgatroyd's Excursion Among the Ruins of Zurm (the name of the piece, not the ensemble), an idea in 7/8 for which I haven't yet determined the instrumentation, and a few ideas still just fermenting upstairs -- but that's what I'm working on now.
The bulk of my attention since the June postings has gone to a couple of the string quartet pieces, the brass thing, the salsa, and a sonata for viola and piano -- oops, that one's not on the above list, is it? Of course, by the time anyone reads this my priorities will probably have shifted again...